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Last week in Studio A, we
had the Two
Gallants mixing their latest record with
respected independent
engineer/ producer Alex
Newport (At The Drive In, The Mars Volta,
the Melvins) manning the board. An all analog
session, the
multitrack was played back from our Studer
A820 and the final mixes were printed to our Ampex
ATR-102 1/2" machine. Alex and the band
tracked the record at San Francisco landmark
Hyde
Street Studios, one of Prairie Sun's favorite
facilities across the Golden Gate.
Recently Prairie Sun was
happy to welcome
back to Studio A master engineer Oz
Fritz for
the mix of artist Wasis
Diop's latest solo
album project for the French Think
Zik! label. Based in Paris,
the Senegalese-born Wasis Diop has for
years created his own unique blend of
traditional African music, pop, jazz, and
world music. The project was brought to Oz
and Prairie Sun by Malick of the Big Bang
Gang managment, promotion, and production
team, who visited Prairie Sun for the mix.
He, and Oz, will soon be back in the coming
months for the tracking and mixing of a new
album for another Think Zik! artist;
folk, blues, and soul singer Grace. |
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Recently in Studio B we were happy to host
California reggae band Rebelution,
who spent a couple weeks tracking their
record to 2" tape and Pro Tools with engineer
Gene
Cornelius. The album is now in the hands
of respected reggae producer/engineer Jim
Fox, who is mixing the record at his Lion and Fox
Studios. As reggae fans may already know,
Jim was responsible for engineering
the last few records by homegrown reggae
heavyweights
Groundation, which were tracked here at PSR
with Gene assisting. And last week in Studio
C we had The
Expendables, who returned to finish
tracking their new album with
producer/engineer Chris
DiBeneditto.
Other
recent Studio A clients have included
shred-master Ethan
Brosh, who mixed his first instrumental
solo album in Studio A with staff engineer Jason
D'Ottavio. The record features guest
appearances by previous Prairie Sun clients
George Lynch and Greg Howe. Jason also
recently mixed Wayward
Son's new record, which was then mastered
by Tim
Gennert for Eugene
Productions. Engineer Adam
Munoz also visited recently to mix the
band Lick,
and Oz Fritz was in again to mix a record for
Tavana, which was also mastered by Tim Gennert. |
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Mooka's notes: The Prairie Sun vintage guitar collection had until recently been severely lacking of one key instrument, but not anymore: we now have a refinished 1967 Fender Telecaster with Bigsby. I've already had the chance to try it out with our Two-Rock amplifier, and it's a rocker! In other gear acquisition news, we are continuing to outfit our new API sidecar with additional modules, including upping the number of 525 compressors to four. And in case anyone was concerned that Studios B and C were going to miss out on the API love, we also have purchased an 11-space API 500-series rack from Dale Epperson at Old School Audio (who reconditioned the PSR sidecar), complete with a couple OSA MP-1 mic pre-amps, that will allow us to take our API EQ's and compressors anywhere. Finally, on the reccomendations of a number of engineers, we decided to try a pair of the ProAc Studio 100 loudspeakers as nearfield monitors. Our staff quickly became enamoured with them, and so they are now serving duty in Studio A with my McIntosh 2500 power amp. On the subject of gear and instruments, I have another exciting announcement. As you may be aware, Studio B is home to a gorgeous 1960's Baldwin 9ft concert grand, which since its arrival at PSR has recorded beautifully for countless projects. However, like any vintage instrument, this piano requires love and care, and so in recent months we contracted Robert Yambert, piano tuner and tech to the stars, to work his magic. And so, after he carefully worked the action to the point where he and I felt it should be, Robert undertook the arduous task of restringing the entire piano and reconditioning the dampers. The result is absolutely marvelous to hear.
Before closing, I wanted to offer my congratulations to a couple of Prairie Sun clients on their recent record releases. Just last week VH1 Classic Records released the Jack Blades-Tommy Shaw collaboration "Influence," which features tracks mixed here at Prairie Sun by Michael Lardie with Jason D'Ottavio assisting. And in the last few weeks Tom Waits' much anticipated new Anti release, "Orphans: Brawlers, Bawlers, and Bastards," has been receiving much critical acclaim and topped the recent Rolling Stone college radio chart. "Orphans" gathers together three CD's worth of unreleased songs and film-soundtrack material, a large portion of which was recorded in the live chambers in Studio C during Waits' 10-year stay at Prairie Sun.
Sincerely,
Mark "Mooka" Rennick
Prairie Sun Recording
email:
mooka@prairiesun.com
phone:
(707) 795-7011
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P.O. Box 7084 Cotati, CA 94931 tel: 707-795-7011 fax: 707-795-1259 email: info@prairiesun.com |
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