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Prairie Sun News
- Winter News Update -
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February 2007
- Vol 2, Issue 1
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In This Issue
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Quick Links
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Greetings!
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Here at Prairie Sun we've been quite busy the
first part of 2007,
working on an incredible variety of sessions,
and of course continuing our unending quest
to find the best gear and make it available
to our clients. Read on for session news:
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Recording the Oakland Symphony
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To commemorate Martin Luther King, Jr. Day,
the Oakland
East Bay Symphony performed "Black
Suit Blues," a piece that recalls the day of
Dr. King's assassination. Composed by Dr.
Nolan Gasser and with text by Robert Trent
Jones, Jr., "Black Suit Blues' is one of four
movements from the Gasser/Jones collaboration
American Festivals. Prairie Sun Recording's
sister company, Eugene Productions, was on
hand to record the performance.
For the recording, engineer
Mark "Mooka" Rennick and assistant Matt
Wright brought some
choice Prairie Sun gear to the Paramount
Theatre in Oakland, including vintage
Neumann microphones, our
Korby
KAT-4 mic systems, and the iZ
RADAR 24 digital multitrack. For the main
stereo pair, however, Mooka opted to audition
the Crowley
and Tripp Recordist
Ensemble Stereo Kit ribbon microphones,
kindly provided for evaluation by Chris Regan
at Crowley
and Tripp. Collaborating on mic placement
with the Oakland Symphony's live recordist, Tom
Johnson, Mooka was able to bring back to
the studio a reference-quality multitrack
recording. The mix was done in Studio B by
Mooka and
Jason D'Ottavio under the guidance of
composer Gasser.
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Alex Newport Mixes Two Gallants
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Last week in Studio A, we
had the Two
Gallants mixing their latest record with
respected independent
engineer/ producer Alex
Newport (At The Drive In, The Mars Volta,
the Melvins) manning the board. An all analog
session, the
multitrack was played back from our Studer
A820 and the final mixes were printed to our Ampex
ATR-102 1/2" machine. Alex and the band
tracked the record at San Francisco landmark
Hyde
Street Studios, one of Prairie Sun's favorite
facilities across the Golden Gate.
Recently Prairie Sun was
happy to welcome
back to Studio A master engineer Oz
Fritz for
the mix of artist Wasis
Diop's latest solo
album project for the French Think
Zik! label. Based in Paris,
the Senegalese-born Wasis Diop has for
years created his own unique blend of
traditional African music, pop, jazz, and
world music. The project was brought to Oz
and Prairie Sun by Malick of the Big Bang
Gang managment, promotion, and production
team, who visited Prairie Sun for the mix.
He, and Oz, will soon be back in the coming
months for the tracking and mixing of a new
album for another Think Zik! artist;
folk, blues, and soul singer Grace.
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Recently in Studio B we were happy to host
California reggae band Rebelution,
who spent a couple weeks tracking their
record to 2" tape and Pro Tools with engineer
Gene
Cornelius. The album is now in the hands
of respected reggae producer/engineer Jim
Fox, who is mixing the record at his Lion and Fox
Studios. As reggae fans may already know,
Jim was responsible for engineering
the last few records by homegrown reggae
heavyweights
Groundation, which were tracked here at PSR
with Gene assisting. And last week in Studio
C we had The
Expendables, who returned to finish
tracking their new album with
producer/engineer Chris
DiBeneditto.
Other
recent Studio A clients have included
shred-master Ethan
Brosh, who mixed his first instrumental
solo album in Studio A with staff engineer Jason
D'Ottavio. The record features guest
appearances by previous Prairie Sun clients
George Lynch and Greg Howe. Jason also
recently mixed Wayward
Son's new record, which was then mastered
by Tim
Gennert for Eugene
Productions. Engineer Adam
Munoz also visited recently to mix the
band Lick,
and Oz Fritz was in again to mix a record for
Tavana, which was also mastered by Tim Gennert.
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Mooka's notes:
The Prairie Sun vintage guitar collection had
until recently been severely lacking of one
key instrument, but not anymore: we now have
a refinished
1967 Fender Telecaster with Bigsby. I've
already had the chance to try it out with our
Two-Rock
amplifier, and it's
a rocker! In other gear acquisition news, we
are continuing to outfit our new API sidecar
with additional modules, including upping the
number of 525 compressors to four. And in
case anyone
was concerned that Studios B and C were going
to miss out on the API love, we also have
purchased an 11-space API 500-series rack
from Dale Epperson at Old
School Audio (who reconditioned the PSR
sidecar), complete with a couple OSA
MP-1 mic pre-amps, that will allow us to take
our API EQ's and compressors anywhere.
Finally, on the reccomendations of a number
of engineers, we decided to try a pair of the
ProAc
Studio 100 loudspeakers as nearfield
monitors. Our staff quickly became enamoured with
them, and so they are now serving duty in
Studio A with my McIntosh 2500 power amp.
On the subject of gear and instruments, I
have another exciting announcement. As you
may be aware, Studio
B is
home to a gorgeous 1960's
Baldwin 9ft concert
grand, which since its arrival at PSR has
recorded
beautifully for countless projects. However,
like any vintage instrument, this piano
requires love and care, and so in recent
months we contracted Robert Yambert, piano
tuner and tech to the stars, to work his
magic. And so, after he
carefully worked the action to the point
where he and I felt it should be, Robert
undertook the arduous task of restringing the
entire
piano and reconditioning the dampers. The
result is absolutely marvelous to hear.
And
finally, the latest addition to Prairie Sun's
drum locker has arrived thanks to our
relationship with DW.
Designed to be our compact kit for jazz,
funk, or fusion, the set features a 20" kick
drum, 10", 12", 14", and 16" toms, a matching
14" snare, and the impeccable craftsmanship
and attention to detail that are a hallmark
of DW's instruments. It joins the roster
alongside our Pearl, Sonor, and larger DW kits.
Before closing, I wanted to offer my
congratulations to a couple of Prairie Sun
clients on their recent record releases. Just
last week VH1 Classic Records released the Jack
Blades-Tommy Shaw collaboration
"Influence," which features tracks mixed here
at Prairie Sun by Michael Lardie with Jason
D'Ottavio assisting. And in the last few
weeks Tom
Waits' much anticipated new Anti
release, "Orphans: Brawlers, Bawlers, and
Bastards," has been receiving much critical
acclaim and topped the recent Rolling Stone
college radio chart. "Orphans" gathers
together three CD's worth of unreleased songs
and film-soundtrack material, a large portion
of which was recorded in the live chambers in
Studio C during Waits'
10-year stay at Prairie Sun.
Sincerely,
Mark "Mooka" Rennick
Prairie Sun Recording
phone:
(707) 795-7011
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