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Prairie Sun News
- Summer & Fall -
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December 2009
- Vol 4, Issue 2
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Also sold on the sonic potential of Studio C
by Delta Spirit's trial run,
band Everest
moved in for a couple weeks to track their
next full length release for Vapor
Records, having built a buzzworthy rep
touring with Neil
Young and Wilco.
While
already a group of veteran
musicians, producers, and engineers
(including Eli from the Delta Spirit sessions
on bass), Everest brought along journeyman Fritz
Michaud (Silversun Pickups) to manage the
Neve/Studer/Pro Tools side of things, freeing
the members to concentrate on their roles as
players. Look for the results early next year.
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Over the spring and summer
teenage rockers The Lost
Boys came in for multiple
sessions to put together a nine-track release of
original songs with producer Mark
"Mooka"
Rennick and engineer Matt
Wright. The band's manager, Greg
Bennett, President and GM of Konocti Harbor
Resort and Spa, served as executive producer
and provided advice and direction for the
young group. He also booked the Lost Boys for
50 dates this year,
including opening appearances with such
national heavyweights as 3 Doors Down,
All-American Rejects, Kelly Clarkson,
Journey, Lynyrd Skynyrd, Toby Keith and Tim
McGraw. Staff engineer Romy Olazabal was on
hand to record two of the band's shows this
fall with Eugene Productions' mobile
recording rig. The tracks were then mixed at
Prairie Sun by Matt Wright for
use in promotional
videos produced by Sideshow
Video.
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Steve Smith & Raga Bop Trio
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Earlier this summer, we were happy to welcome
back leading drummer Steve
Smith (Vital Information, Journey), who
spent a few days in
Studio
B tracking with the "Raga Bop Trio" for
a new album to be released on AbstractLogix
in mid-2010. The album is a
collaborative effort among Smith,
Prasanna
(a unique guitarist/composer from south India),
and George
Brooks (saxophonist and leader of world
music group Summit). All three musicians are
experts in
various genres of jazz and Indian music;
together, the
trio fuses Indian
melody and rhythm with U.S. groove
and jazz with a daunting level of originality and
craftsmanship. Veteran
engineer Oz
Fritz (Bill Laswell) engineered the tracking
sessions, and was at the SSL in Studio
A for the mix sessions. Romy
Olazabal assisted.
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Master mix engineer Oz Fritz was also in
Studio A this summer mixing the debut album
for Australian band St.
Leonards. Recorded in Los Angeles with
producer John
Wooler (Van Morrison) and engineer Dan
Bosworth (The Rolling Stones), the album
features tight pop
musicianship complemented by a handful of
outstanding LA session players. Oz mixed the
tracks solo in July, emailing the mixes to
the band for approval, and the band then
visited us in October
for some final revisions. The album is now
available on the band's website, and at press
time St. Leonards was on a short tour of the
western United States.
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We are happy to announce that metal
band Simoom
are in the final stages of preparing their
new 5-song EP "Sever Your Losses" for a
January release. The EP, along with various
other songs still in the works, was recorded
in a series of sessions in Studio B with
veteran metalhead Jason
D'Ottavio engineering. Says
producer/guitarist
Alain Shaboon of Jason's skills, "He is a
perfectionist, he works quick and he really
knows his stuff in the studio." The EP was
mastered by
Tim
Gennert for Eugene
Productions.
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This summer saw the return of string band The
Brothers Comatose, who set up shop for a
weekend in the Waits Room to hammer out their
first full-length album. With engineer Matt
Wright on hand to capture everything to disk,
the band once again employed the all-live,
headphoneless, overdub-lite brand of
recording towards which Studio C is so conducive.
Once these performances were rounded-out with
a handful of guest overdubs, Matt opted to
mix manually on the board in C, taking
advantage of the Neve's thick sound and
musical EQs. The resulting album is titled
"Songs From The Stoop" and is due for a
February 2010 release on CD and vinyl LP.
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We are also pleased to announce that this
fall saw the release of the documentary "One Fast
Move or I'm Gone: Kerouac's Big Sur" and
it's accompanying soundtrack.
For the soundtrack artist Jay
Farrar (Son Volt) wrote songs using
Keroac's prose as lyrics, and then recorded
the songs in collaboration with Benjamin
Gibbard (Death Cab for Cutie). Two of
these songs were recorded by Farrar in
Prairie Sun's Studio B in the spring of 2007
with Matt Wright engineering.
- Artist Johnny
Boyd (Indigo Swing) recently completed
his third solo record, which was mixed by
engineer Oz Fritz in Prairie Sun's Studio A
and mastered by Bernie Grundman. Look for the
release of "Never Been Blue" in early
2010.
- Miles
Schon, son of Neal Schon (Journey),
brought his
band into Studio B this summer to track their
new record with Jon
Mulvey engineering.
- Acoustic
roots duo Coyote
Grace stopped by again in recent months
to have Tim Gennert master their new EP
release, which was tracked
and mixed last winter
with engineer Matt
Wright. The EP will
feature a number of new songs as well as
live-in-the-studio performances of songs
already familiar to the duo's live
audiences.
- Lake County group Hexafiend
was among the other metal groups passing
through Prairie Sun this fall, also working
with engineer Jason D'Ottavio in Studio
B.
- Trumpeter Marcus Cohen, who last
visited Prairie Sun as a member of Rupa
& the April Fishes and a guest-artist with
the Abolitionists,
was here this summer with his new group The
Congress, tracking a new record with
engineer Timin
Murray.
- This summer also saw
sessions with
Bay Area group Tracorum
and Hawaii-based band Freesound,
both working with engineer Timin
Murray.
- Our friend Linda Ferro
returned to Prairie Sun this summer,
producing a demo for local singer/songwriter
Jodie
Linn. Matt Wright engineered and Tim
Gennert mastered.
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Prairie Sun Profile:
Norton Buffalo - Musician, Producer
I met Norton
Buffalo when he came to my first
studio in Cotati, out by the railroad
tracks. He said, "I live here in Schellville
and I have this amazing band called the
Schellville South Side Blues Band and I heard
you had a cool funky place out by the tracks
in Cotati." Well he came in with his partner
C.W. Parker and these wonderful, soulful
dudes to record a single for the KVRE radio
station album compilation. Bill
Bowker was
DJ-ing on the station, hosting the hit radio
show "Blues with Bowker," which he continues
to host to this day, Sunday nights on KRSH.
Prairie Sun at its most-humble beginnings was
so much fun, and Norton and his partner C.W.
Parker literally taught me the ropes. Norton even
used my bathroom as an iso booth/echo chamber
for the harmonica player (the first, though
certainly not the last, time I would see him
use this trick). The first thing I realized
was this cat Norton knows how to make records
- wow!!! He knew how to mix, he could hear
tones and separate the frequencies, place
reverbs, get a big fat snare, big vocals,
etc. He knew how to have fun while paying
attention to detail. Norton and I later went
on to work on many, many projects together
including, but not limited to, Norton's solo
records. On one notable project he did
harmonica overdubs for a Kenny Loggins track,
which featured Paul McCartney as the
producer. We just loved him.
His Sonoma County memorial service was held
last Sunday in his old home town of Sonoma,
and it was an amazing testament that over 500
people showed up. And that doesn't begin to
count the 1000s who could not be there but
were there in spirit. He will be deeply
missed. Thank-you Norton Buffalo for your
love. Please visit his web
site if you wish to make a donation to
his favorite charity and see the schedule for
future benefit concerts planned in January.
Mooka's Notes:
I
know we went a little crazy with the
gear-lust in the GearHeads
supplement we sent out in April, but I still
wanted to spend a little time talking about
the toys. I'll start with the
shiniest toy first: thanks to the folks at Vintage
King I am now the proud owner
of a Shadow
Hills Mastering Compressor, and I have to
admit it's one pretty piece of kit. But don't
be fooled into thinking this box is all looks
and no substance, `cause I'll tell you right
now, this thing's a hit! I've asked all my
pickiest engineer friends to try it out -
from ninja mixer Oz Fritz to resident
mastering engineer Tim Gennert - and so far
everyone likes it. And
I've heard some guys named Brauer and
Lord-Alge are also big fans...
In other news, we now
have a Hammond M100 - this is a fun
instrument (think "Whiter Shade of Pale").
Different set of sounds than the B3, and with
a non-rotating speaker cab with a very unique
reverb circuit. The B3, BTW, is in great
shape these days, thanks to the diligence of
our tech David Trouse. And we continue to
hone in the feel of the new action on the
Baldwin grand - if you haven't played it in a
year, you need to see/hear/feel what we've
done to this piano!
On the subject of upgrades and maintenance, I
wanted to note that two of our C12a
microphones (we have four of these handy
transducers) now sport their original
capsules re-skinned by an expert in Germany.
Along with thorough maintenance work on the
mic bodies, cables, and power supplies by
tech Kevin Ink, this capsule change has
brought these mics to a new level of sonic
purity and reliability. Oh, and speaking of
techs, sonic purity, and reliability - have I
mentioned recently how much of a badass Sean
Green is? In recent months, that man has had
his hands on and in our SSL, both Neves, the
API, all tape machines, and our Sontec EQ -
and everything he's touched just seems to be
in stellar operating condition.
I'll tell you what, to have all of these
toys, and to have it all working - that's
something I'm thankful for, especially to the
people who make it happen. I hope everyone
had a great Thanksgiving weekend, and I wish
you a happy holiday season.
Cheers,
Mark "Mooka" Rennick
Prairie Sun Recording
phone:
(707) 795-7011
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